Desecrator 恐怖音效設計音源:Kontakt 專用驚悚氛圍+上升音+打擊音包

Desecrator 恐怖音效設計音源:Kontakt 專用驚悚氛圍+上升音+打擊音包

Fallout Music Group 推出的《Desecrator v1.1.0》是一套專為恐怖電影、心理驚悚、遊戲音效與黑暗氛圍音樂設計而生的 Kontakt 音源包,容量高達 14GB,內含五大主引擎模組:恐怖氛圍設計器、Pad 創造器、上升音設計器、Whoosh & Hit 打擊設計器與特殊 Tick-Tock 拍點生成器。聲音素材取自老舊機械、金屬、弦樂與磁帶錄音,透過大量實驗性處理,營造出有機、混亂與令人毛骨悚然的音場。

每個模組皆支援雙層音源混合與隨機生成功能,讓你一鍵創造從未聽過的恐怖聲音效果。包含 260 組恐怖氛圍素材、超過 110 組 Tick-Tock 拍點聲源與多達 120 組打擊+滑音聲效,並內建多種 FX 效果、XY Pad 混音器與 MPE 相容控制,適用於電影預告、沉浸式劇場與沉重暗黑類型的配樂製作。附贈所有 Whoosh/Hit/Riser 的 WAV 檔,方便拖放運用於其他製作流程,是專業音效設計師與恐怖類創作者必備的高階工具。

========================================

Fallout Music Group Desecrator v1.1.0 KONTAKT – 14,14 GB

下載連結:https://www.52timbre.com/1022.html

========================================

Desecrator – The Ultimate Horror Scoring Designer
Step into the void with Desecrator, a terrifyingly powerful collection of five Kontakt instruments built for horror sound design. Crafted from eerie antiques, unsettling field recordings, haunting solo strings, and mangled synths, Desecrator is your gateway to spine-chilling soundscapes. Whether you’re scoring a psychological thriller, designing bone-rattling movie trailers, or pushing the boundaries of dark ambient music, this instrument is built to disturb.

Featuring a deeply atmospheric atonal designer, a playable pad generator, a hair-raising riser creator, a cinematic whoosh & hit designer, and a twisted timekeeper producing eerie tick-tock rhythms, Desecrator gives you limitless sonic terror at your fingertips. With fully configurable randomization, you can instantly generate otherworldly sounds that have never been heard before. No two creations are alike—only the horror remains. Unleash Desecrator and turn your nightmares into sound.

In addition to the 5 Kontakt instruments, the full set of Whooshes, Hits and Risers are also included as wav files for simple drag n drop use.

ATMOSPHERE DESIGNER
The atmosphere designer features a 2-layer engine, allowing you to choose and blend from over 260 unique sound sources. Made from raw and processed antiques, strings, metals, custom physical instruments and field recordings, you can easily generate subtle or terrifying atonal atmospheres in an instant.

– All sources recorded at 24bit, 48k quality
– Most sources recorded for at least 30 seconds with seamless looping
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad

PAD DESIGNER
The pad designer features a 2-layer engine, allowing you to choose and blend from 110 unique sound sources. Made from raw and processed antiques, strings, metals, custom physical instruments, synths and field recordings, you can easily generate subtle or extreme tonal pads. While made specifically for horror and tension, this pad designer is truly cross-genre.

– All sources recorded at 24bit, 48k quality
– Most sources recorded for at least 30 seconds with seamless looping
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad

TIMEKEEPER
The timekeeper is not your typical pattern generator, nor is it your typical tick-tock clock generator. This one is truly special. Made to generate tick-tock style patterns, it boasts a 2-layer engine and overs 110 unique sources, each with 16 samples (8 「ticks」 and 8 「tocks」). The sources include raw antiques, mechanicals, metals, and other unsettling sounds (such as chalkboard scratching and leaves crunching), as well as designed and processed sounds. The sources have been recorded in such a way as to leave heavier attacks and artifacts in between the ticks and tocks for a much more natural sound than you might typically be used to. The goal here is not perfection, but organic, unexpected, and unique timekeeping for your tracks.

Note: Because of the heavier attacks, this instrument requires a -125ms track delay compensation as noted on the product’s GUI.

– All sources recorded at 24bit, 48k quality
– All sources include a set of 16 unique samples
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– A 16-step sequencer and controls to set your tick-tock pattern to whole notes, half notes, quarter notes or eighth notes.
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Auto-panning options including ping-pong and doubling (2 notes per side in a ping pong pattern)

RISE DESIGNER
The desecrator rise designer is much more robust than any of our other products. Boasting over 90 sources, each recorded in 2, 4 and 8 bars, the number of combinations available is staggering. But to top it off, the rise designer adds a 3rd, specialty Exciter layer with an additional 18 sources that add extra build and excitement only at the tail end of the rises (2 bars, 1 bar, and 2 beats respectively).

These riser sources have been carefully created from custom made instruments, live strings, mangled synths, and highly processed field recordings. It is extremely simple to generate organic sounding risers that are completely unique, all at the touch of a button.

– All sources recorded at 24bit, 48k quality
– Sources created in 2, 4 and 8 bars (these are unique samples and not just cut cut downs of a single sample
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Additional Exciter layer with volume control and extra 『enhance’ option for an extra kick at the end of your risers
– While the sources have been recorded at 140bpm, they will stretch to match your project’s tempo

WHOOSH & HIT DESIGNER
The whoosh & hit designer comes in heavy with nearly 120 unique sources in a 2-layer engine. Made from various highly-processed field recordings, percussion, string percussion, and various antiques and objects, these sounds are perfect for hard hitting slams, subtle exciters or terrifying jump scares. Each sources has uniquely recorded and processed 2 beat, 1 beat, and 1/2 beat whooshes which will stretch to your project tempo, making it simply to line up your whoosh hits. You can play just the hit, each of the 3 timed whoosh hits or just 3 whooshes without the hit. They are all mapped to the keyboard at all times for complete flexibility.

This engine also adds a simplified 3rd layer called Foundations. This layer has 19 additional sources available, which provide more baseline, standard hits, booms and slams made to be foundations for your hit creations. Of course, these also have 3 timed whooshes associated with them, which will be blended into your total mix.

The foundations layer also has an option to make the layer follow the layer 1 or layer 2 settings (whoosh volume, release, eq, filter settings). Or it can stand on its own with default settings.

– All sources recorded at 24bit, 48k quality
– Each sources created with unique whooshes in 2, 1, and 1/2 beat timings (these are unique samples and not just cut cut downs of a single sample
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Additional Foundation layer with volume control layer 『follow』 option to give your hit creations a solid and powerful foundation』

評論 (0)

3 + 5 =