Kiedrich Virtual Organ 精細取樣於德國萊茵高地區的聖瓦倫提努斯與狄奧尼修斯教堂，該管風琴融合了哥德式與新哥德式元素，擁有逾 500 年的歷史。此音色庫保留了原始四分之一純律（Quarter Comma Meantone）調音，並忠實捕捉了 Hauptwerk 主風琴、隱藏於塔樓內的 Echo Positif 以及現代踏板音色。取樣包含有與無顫音版本，並支援人工顫音模式以節省記憶體資源。
此版本提供 6 聲道環繞聲（4 聲道前置 + 2 聲道後置），前置聲道分為「直錄（Direct）」與「漫射（Diffuse）」兩種錄音位置，可在 Hauptwerk 的專用混音台中自由混合，模擬不同聆聽距離與空間感。取樣規格為 48kHz/24bit WAV，未加密，可在 Hauptwerk v4.2 或更高版本中使用，建議使用 Advanced 版本以完整運行全景環繞聲模式。混響時間約 3 秒，適合演奏文藝復興與早期巴洛克音樂，也能勝任宗教儀式與錄音製作。
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Sonus paradisi Kiedrich Virtual Organ Model Hauptwerk-ARCADiA
Team ARCADiA | Hauptwerk | 13.73 GB
下載連結：https://www.52timbre.com/1646.html
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Kiedrich – the 「oldest organ」 of Germany
The instrument in the St. Valentinus and Dionysius church in Kiedrich has the reputation of being the oldest playable organ in Germany. Although that may not be exactly correct, the organ is certainly one of the oldest in Germany, and it contains elements stemming from around 1500.
The organ was rebuilt by Johann Kirchner in 1652 and later altered several times. In the contract to repair the organ in 1710, the Positif of 6 stops is mentioned for the first time, although it was presumably added already by Kirchner. The independent pedal was added probably in 1722. The restoration done in the 19th century is remarkable, because it is so unlike those performed on many other historical organs at that time. When the Baron John Sutton discovered this instrument on one of his journeys through Europe, he was captivated by its Gothic origin and he supplied the money to 「restore」 the instrument to its 1500 state (at least according to the romantic perceptions and the historism of the mid 19th century). The instrumental part was restored by by Louis Benoit Hooghuys, and the case (including the painted side wings) was restored by August Martin de Fürth.
The last restoration by Kuhn (1985-1987) preserved the state achieved by the previous restoration of John Sutton, emphasizing the Gothic Hauptwerk of the organ as a single manual organ.
The positiv is hidden behind the main organ case in the church tower, thus sounding as an echo-organ, and the modern pedal is also concealed in the church tower behind the organ case.
The Gothic and the neo-Gothic elements blend together exceptionally well in this particular church. The visitor is truly astonished by the church’s ambiance when entering the building. The absence of the ecclesiastical baroque, which is so common elsewhere, make this church and its organ absolutely extraordinary.
Features:
The samples are offered in 48kHz/24bit resolution. The multiple releases have three levels: short, mid and long. Hauptwerk v4.2 and higher supported. The sample set is offered in plain wave format (unencrypted). Hauptwerk Advanced version is necessary to run the full surround. Hauptwerk v.4.2 and higher supported.
Reverb
The reverb time is ca. 3 seconds.
Temperament
The original organ tuning is quarter comma meantone.
Keyboards, pedalboard
The original compass of the keyboards is 45 keys (C – c3), short bottom octaves. The original compass of the pedal division is 17 keys (C – e0, low C# missing).
The compass is extended in a dedicated ODF: manuals 49 keys (full 4 octaves), pedal 25 keys (full two octaves).
Tremulants
All ranks were recorded with and without tremulants for the most convincing tremulant behavior. However, loading tremmed ranks consumes large amount of RAM. It is possible to select to use the artificial tremulant instead to save RAM (the switch is located on the mixer tab).
Requirements:
RAM consumption: 6-channel surround
16-bit, other settings default: 10.5 GB
20-bit, other settings default: 16.9 GB (recommended)
24-bit, other settings default: 19.1 GB
Screen resolution 1280×1024 px or more.
Polyphony of 3000 voices recommended for the full suround.
Surround format
The sample set is offered in the Surround variant (6 channels). In addition to the usual 4-channel surround, there are two more alternative front channels. In total, there are 4 front audio channels and 2 rear channels. The two pairs of the front ranks feature two different recording positions: direct (near to the pipes) and diffuse (distant from the instrument). These two pairs of the front ranks can either be mixed together freely to achieve any listening position between the two extremes, or used separately – depending on the prefererences of the user. A dedicated 「mixing desk」 is available in Hauptwerk to mix the sound to the desired level.
