Piotr Grabowski 精心製作的 Oloron-Sainte-Marie 管風琴音源,為 Hauptwerk 用戶帶來了法國阿爾卑斯山腳下 Oloron-Sainte-Marie 聖母主教座堂的珍貴聲音。這座偉大的管風琴由傳奇工匠 Aristide Cavaillé-Coll 於 1870 年建造,是法國浪漫時期管風琴工藝的傑出代表。
該管風琴擁有 3 層鍵盤和 24 個音栓,採用經典法式結構布局,集成了 Récit expressif 表情手鍵(帶封閉音箱)、Grand-Orgue 主手鍵 與 Pédale 腳鍵組。特別之處在於其機械輔助裝置(Barker lever)控制聯動,支持更為豐富的演奏變化,如 1 鍵的低八度聯動器,這在 Cavaillé-Coll 的作品中相當罕見。
該音源採用 6 通道(3 對立體聲)採樣,保留原始教堂空間的豐富混響層次。所有 tremulant 均為真實採樣,支持 chromatic 表現。無論你想演奏巴洛克風格、17 世紀法式古典,還是浪漫主義時期的 Franck、Widor、Vierne 作品,這款音源都能精準還原那種詩意、莊嚴且富有表現力的音色特質。
Oloron-Sainte-Marie 是一部歷史與藝術並存的浪漫樂器,亦是 Cavaillé-Coll 管風琴工藝在今日數字世界中的傳承佳作。非常適合對法式浪漫音色和多樣表達有高要求的專業演奏者與作曲人。
===================================================
Piotr Grabowski Oloron-Sainte-Marie Hauptwerk-ARCADiA
Team ARCADiA | Hauptwerk | 20.34 GB
下載連結:https://www.52timbre.com/1648.html
===================================================
The great organ of Sainte-Marie cathedral in Oloron-Sainte-Marie (France) was built in 1870 by the famous organ builder Aristide Cavaillé-Coll. The original organ dates back to the 17th century. It was most likely built by a member of the Clicquot dynasty. However, during the French revolution of 1789 the organ was emptied of its pipes. Undoubtedly, the pipes were melted down to make ammunition. In 1870, Aristide Cavaillé-Coll built a new organ in the existing place. At the same time, he painted it brown. In 1982 Danion-Gonzalez organbuilding company removed the brown paint to let appear magnificent blue original paint. He also cleaned the instrument.
Today the organ is in the same condition as in 1870 when Cavaillé-Coll finished building it.
The instruments has 3 manuals, from which two are speaking ones (have stops assigned to them) and one is a coupling one. The couplers are controlled by pedals above the pedal keyboard. This feature, supplied by a Barker machine, is relatively unique in Cavaillé-Coll history and gives more coupling possibilities, especially suboctave coupler for the first keyboard. There are 24 stops distributed into three divisions, which are structured in the French traditional organ construction.
Récit expressif – It’s an 8 stops model that we find in may A.C.C pipe organs at that time. Reeds and Octavin 2 stops are activated by the foot pedal. It has a sweet and slow tremulant, and all stops are enclosed. Shades of the swell box are mounted on three sides of the case. It has a chromatic wind-chest. The swell box is situated behind the central part at the altitude of the Grand-Orgue section.
Grand-Orgue – This 12 stop disposition is pretty standard for A.C.C organs, but their low-pitched Plein-Jeu Harmonique based on 16 feet is uncommon as well as 16, 8 and 4 feet reeds in a small-medium instrument like this. It is situated in the main case, split into C and C# sides. This section starts at an altitude of prospect pipes (the lower part of the organ case contains the Barker machine and bellows).
Pédale – It consists of 4 stops. Bombarde 16 and Trompette 8 are pretty loud in reality. It is supposed that the leather part of the shallots was removed or just worn out over time, what resulted in louder sound, so the volume of these stops was slightly reduced in the sample set to recover the original sound balance. This section is split into C and C# sides on the opposite sites of the enclosure box.
It is worth noticing that the positive case is empty, dating back to the antique organ. It was too small for A.C.C pipes.
This organ is very eclectic. It is possible to play the 17th French classical pieces, or J.S. Bach works. It is also perfect for playing French romantic and symphonic composers, such as César Franck, Louis Vierne or Charles-Marie Widor.
In France, this organ has extraordinary fame, and it is a precious testimony of Aristide Cavaillé-Coll organ building.
Technical details:
Sample rate 48 kHz
Bit resolution 24 bit
Channel count 6 (3 × Stereo)
Tremulant model sampled chromatically
Compatible software Hauptwerk v. 4.2 or higher GrandOrgue